I know I should pay more attention to the article, but the kitten shirt really scares me. I’m afraid to take my eyes off it in case it attacks…

newyorker:

In this week’s issue, we published “Exorcism,” a long-lost play by Eugene O’Neill. Nickolas Muray, who took the portrait of O’Neill that accompanies the play, was, among other things, Frida Kahlo’s lover, a competitor on the U.S. Olympic fencing team, and a photographer known for shots full of life, joy, and color. See a selection here: http://nyr.kr/pKXHB5

All photographs courtesy of George Eastman House, International Museum of Photography and Film © Nickolas Muray Photo Archives.





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    Much like their maker, Muray’s photographs are full of life, joy, and color. “Photography,” he said, “fortunately, to me...
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    I know I should pay more attention to the article, but the kitten shirt really scares me. I’m afraid to take my eyes off...
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